Evelyn Glennie – sounds of the underground
Maria Roberts speaks to pioneering percussionist Evelyn Glennie about teaching the world to listen and what it takes to succeed as a soloist “There hadn’t been a … Read more
Maria Roberts speaks to pioneering percussionist Evelyn Glennie about teaching the world to listen and what it takes to succeed as a soloist “There hadn’t been a … Read more
The UK circus sector is challenging outdated ideas about the art form and its audiences. Rachel Clare, founder and artistic director of London-based creative production … Read more
With more competitions on offer than ever before Benjamin Woodroffe, CEO of the World Federation of International Music Competitions (WFIMC), asks his board members how … Read more
Composer and writer Shirley J Thompson explains how she is bringing history to life in modern opera – and finding brand new audiences in the … Read more
Yasuhisa Toyota is chief acoustician and US company president of Nagata Acoustics, the celebrated Japanese giants of global concert hall sound design. IAM caught up with … Read more
With the New York Philharmonic preparing to head out on a European tour with mezzo-soprano du jour Joyce DiDonato in April, we caught up with music director … Read more
Meyer Sound is one of the performance industry’s leading providers of audio engineering solutions. Its latest pioneering innovation will allow for customised acoustics in any … Read more
The 2015 APAP congress will explore the notion of togetherness in the arts sector. It’s a highly relevant theme, as CEO Mario Garcia Durham tells … Read more
There’s a wave of change approaching over the cultural horizon, and for ISPA’s CEO David Baile, it signals an enterprising shift for the performing arts … Read more
Anima Eterna Brugge is breathing new life into classical masterpieces played on period instruments. Clare Wiley reports on the Belgian orchestra’s surprisingly progressive approach to … Read more