IAM Vol 22 Issue 10

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IAM October 2026

Welcome to the October issue of International Arts Manager, where our Canadian focus begins in Ottawa with the National Arts Centre Orchestra’s new music director, John Storgårds. After more than a decade as principal guest conductor, Storgårds takes the helm with plans to bring overlooked Canadian composers to wider attention, broaden the repertoire and strengthen the orchestra’s international profile.

While Storgårds is championing less familiar music, Vancouver Opera is focusing its forthcoming seasons around some of opera’s best-known works as it rebuilds audiences after the pandemic. General Director Tom Wright discusses the thinking behind that decision and a sponsorship agreement sealed with a handshake. In Quebec, folk band Le Vent du Nord looks ahead to its 25th anniversary with a symphonic concert in Montreal, a reunion with Scottish group Breabach and international touring. Meanwhile, in ISPA’s Global Voices, Annabelle Cloutier and Mélanie Dumont discuss opening Canada’s stages to new work, new audiences and international partners.

Also in this issue

Montreal also welcomes the 22nd CINARS Biennale in November, with more than 375 presenters expected for its largest edition to date. The programme includes a keynote from high-wire artist Philippe Petit, who also speaks with Gilles Doré in CINARS’ Connected Voices about balance, collaboration and a lifetime on the wire. We also look ahead to Festival Carrefour in Quebec City and hear from HEC Montréal and SMU about preparing the next generation of cultural managers through their joint MMIAM programme.

Musical Chairs From promotions to retirement – who’s on the move?

Classical Music Signings Keep up to date with the latest industry news

Competitions and Awards sideNotes: Beijing’s ambitious new stage for the world’s young classical talent

Communicating the Arts: What gains value when almost anything can be generated?
 
ISPA: Global Voices: Annabelle Cloutier (National Arts Centre) and Mélanie Dumont (LA MÈCHE COURTE) on opening Canada’s stages to the world
 
APAP: A View from Here: Lisa Richards Toney: The cultural life of a nation belongs to all of us
 
CINARS: Connected Voices: Gilles Doré talks to Philippe Petit on balance, collaboration and a life lived on the wire
 
John Storgårds: On taking the helm of the NAC Orchestra, championing overlooked Canadian composers and strengthening its international profile
 
Vancouver Opera: On the importance of programming familiar favourites 
 
Le Vent du Nord: 25 years in motion
 
Preview: CINARS Biennale 2026
 
Festival Carrefour: Turning Quebec City into a stage with Festival Carrefour
 
HEC Montréal and SMU: On training international arts managers
 
Latitude 45 Arts: Championing new work since 1981
 
Concours de Genève: On marking its 80th edition
 
Cristina Uruc: On the George Enescu International Festival and Competition today
 
Diary: Frederic Wake-Walker: A week with the artistic director of Mahogany Opera 
 
CINARS: Connected Voices:
Gilles Doré and pianist and composer Alexandra Stréliski on music, circus and the art of hybrid collaboration in Montreal
 
Inside WestK: At the centre of Hong Kong’s performing arts, and host of AAPPAC 2026
 
Preview: Communicating the Arts 2026 
Ottawa–Gatineau
 
Preview: WOMEX 26
Diary: Dominik Deuber
A week with the Swiss music manager and Head of 
NDR Ensembles  

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