IAM Vol 21 Issue 10
£10.00
Canadian Focus for October
Welcome to the October issue of International Arts Manager.
This month, we look at how the performing arts continue to navigate the global landscape – from trade policies and international collaboration to the quiet revolutions that begin in the rehearsal room.
Our cover feature spotlights the Biennale CINARS 2026, as Montreal prepares once again to host one of the world’s most dynamic gatherings for the performing arts. Since 1984, CINARS has connected artists, programmers and presenters from across continents. Its 2026 edition promises to be the most ambitious yet, offering full-length performances in dance, theatre, music, circus, puppetry and interdisciplinary arts. With applications now open, the Biennale invites artists to “stage the future” and shape the conversations that will define the next decade of global performance.
Also in this issue
News
Southbank and TikTok unite to help digital creators
Chamber Orchestra of Philadelphia leaves the Kimmel Center
Vancouver Opera announces sparkling new partnership
O’Donnell gift propels Dallas Opera forward
EU artist management giants unite for orchestral touring
Exciting new partnership for Opera Rara
Chamber Music America acquires CelloBello
ACE award puts culture in local hands
Sunnier climes for WOMEX 26
Applications open for DeVos Institute and MMIAM
Musical Chairs: From promotions to retirement – find out who’s on the move
Classical Music Signings: Keep up to date with the latest industry news
Competitions and Awards
sideNotes: The Blue Danube: A study in persistent inappropriateness
Biennale CINARS 2026 opens call for artists
APAP:
A View from Here: Lisa Richards Toney on unleashing the power of place
ISPA: Global Voices: In conversation with Olivia Ansell (Luminato Festival Toronto) and Priscilla Guy (FURIES)
The Hive: Redefining opera for the true-crime age
Understanding trade tariffs with Robert Baird
Stage by Stage: Bill Smith, Founder of Riot Artists
Arto Pärt at 90
Diary Na’ama Zisser. A week with the composer and CEO of JMI (Jewish Music Institute)
