Welcome to the July issue of International Arts Manager. In our cover feature we learn why Parlando’s Music Director and Founder Ian Niederhoffer insists that every unfamiliar piece must earn its place
We head to Munich’s Staatstheater am Gärtnerplatz to catch up with Artistic Director Josef E. Köpplinger, who discusses world premieres and why he would rather lead “the people’s opera” than chase elite status. Elsewhere, Thea Paraskevaides, Founder of Classical Unlocked, reflects on SXSW London, where classical music entered wider conversations around technology, AI, brands and the commercial music landscape. We also hear from
Beth Morrison Projects, as applications open for its 2026 Producer Academy.
We preview the Communicating the Arts Ottawa–Gatineau edition (13–16 October 2026), from IAM’s new media partner, which brings cultural leaders together to examine how institutions can build connection and understanding across communities. A special offer for IAM readers is available at the end of the feature.